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Archive for November, 2009

+Spanx T. Urquhart: Indie Music Artist of the Week

Posted by Mike Wilson On November - 23 - 2009

+Spanx T. UrquhartTimid and soft spoken during early childhood, no one imagined his future interests might include songwriting and stage performance.  Attending schools in The West Indies, Japan and various parts of the states, exotic locales like Okinawa and Jamaica helped to shape +Spanx cosmopolitan worldview and love of different cultures and music.

 

The eldest of three talented siblings, his father remembers the infant +Spanx (too young yet to walk or speak) humming in tune The National Anthem while being coddled during its repeated performance at a theater.

 

As +Spanx showed great promise, his parents later encouraged him to study the cornet which led to a discovery of numerous instruments.  He became proficient on electric bass while performing with Top 40, retro-pop and classic rock groups, also developing a versatile yet powerful vocal that ranges from ballads & barbershop to hip-hop and hard rock… measured experiences which led to +Spanx fronting the Miami-based trio kNiption FiT, an enigmatic power-pop band best described as "The Monkees meet Rush…"

 

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Popularity: 34% [?]

deVries: Indie Music Artist of the Week

Posted by Mike Wilson On November - 17 - 2009

deVriesdeVries (pro. devreese; Dutch def. from/of the North) is the new band of singer/writer/guitarist Travis DeVries of Seattle band The Turn-ons.  The August '09 issue of Spin magazine list The Turn-ons in its 100 "greatest bands you've (probably) never heard." Peter Buck of R.E.M. described them as “…simply my favorite new Seattle band. If I said that their sound was a combination of the Velvets, T. Rex and Spiritualized with a dash of Yo La Tengo, it wouldn’t do them justice [Q Magazine]." The Turn-ons played sold out shows with widely-known indie bands such as The Strokes, BRMC, Interpol, and played their last show with The Jesus & Mary Chain in '08.

 

Travis moved to NYC in the summer of '08 after recording "Death to God" in Seattle.  Death to God was produced and mixed by Turn-ons’ producer and member, Erik Blood(The Moondoggies, Tea Cozies, Romance). It was then mixed by legendary producer, Kramer(Galaxy 500, Low, Sufian Stevens).  Upon receiving the tracks for mastering, Kramer enthusiastically proclaimed “Travis, you’re a fucking genius.  This music is just too good” and “this shit is amazing.”

 

deVries' sound hearkens back to the reining days of Britpop/Madchester bands such as The Stone Roses and Suede.  Travis' lyrics touch on a wide range of social and human conditions and emotions of which he feels strongly about.  His songs range in issues from trans-gender children(Boys are Bores), to global warming(Slowing Down), and hints of economic upheaval(Black Thursday Repeat).  His gift of weaving lush orchestration & intensely personal lyrics is a reminder of how music can save your soul.

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Popularity: 34% [?]

White Picket Fence: Indie Music Band of the Week

Posted by Mike Wilson On November - 9 - 2009

White Picket FenceWhite Picket Fence is honest, unadulterated indie rock with a sense of urgency that gives their material absolute credibility… Not because of the way somebody can describe it, but because of the way that it exists intrinsically. Please listen for yourself before continuing, as everything else is secondary to the music.

 

Since the band’s inception in 2008, White Picket Fence has been doing everything in their power to be heard. Equally at home in their van, the band has played non-stop to a variety of venues across the state, giving performances that have been praised both for their unique intensity and youthful charm. Coupled with their undeniable group chemistry and genuine appreciation for each opportunity that allows them to progress as artists, this effort has amassed substantial good press for the band. On an almost weekly basis, the group has been featured in numerous regional publications, and recently procured a spot for their now-sold-out, self-titled EP on Central New York’s Top 10 list of releases for 2008.

 

After pushing that record to its final sale, White Picket Fence went back into The Square Studio to work with Steve Sopchak (The Brilliant Light, Eyes Averted, Remember Tomorrow) on their first full length record called “Clocks and Calendars.” It will be independently released on June 6th, and a self-booked, national summer tour is to follow.

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Popularity: 33% [?]

Githead: LandingGithead are Colin Newman (of Wire), Malka Spigel and Max Franken (of Minimal Compact), and Robin Rimbaud (Scanner). But who they are is far less important than what they are: a band, rather than just a collaboration of individuals.

 

Landing the fourth release (third full-length) by Githead is now streaming in its' entirety at the link below:

 

http://www.githead.com/mp3/~Landing/radioplayer3.html

 

The band started in 2004, initially to play as a one-off at the Swim record label's 10th anniversary event at the ICA. It soon became obvious that there was a natural and rare chemistry that could enable real organic development over time.

 

Progression was swift. A solid base was fashioned with the band's 2004 debut, the ‘self titling' EP Headgit. Written, recorded and mixed in fervent, whirlwind fashion, all in Swim's London studio, the band used Headgit as a platform on which to build. Its signature hypnotic motorik combined with a fresh, almost raw approach resulted in a set of exciting tracks, some of which remain stage favorites.

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Popularity: 25% [?]

Lovepump United To Release Clipd Beaks To Realize On January 26, 2010

Posted by Mike Wilson On November - 3 - 2009

clipd beaksAfter two woozy, psychedelic, and often–claustrophobic records that touched upon their great potential (2006's Preyers EP and 2007's Hoarse Lords), the Oakland-based Clipd Beaks have birthed something pretty damn amazing. To Realize is a turning-point. A record of personal and artistic growth. Sonically expansive, lyrically profound, and deeply moving. It recalls the societal hangover depicted in the great California rock records of the early 70's, while sitting firmly in the noisy, chaotic present day. It's a tribute to love, to moving forward, to rejecting doom. To Realize places itself as a beacon of sprawling, humanist hope in an increasingly digital world. Anyone who still believes in the transformative power of Rock n' Roll will recognize it in this record.

 

"Sounds perfectly fuzzed to these ears"Stereogum

 

“Wildly danceable, postpunk mania” - Time Out

 

“Beneath the caustic bass and smeared keyboards lies some serious, seriously damaged songwriting” - The Onion

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Popularity: 19% [?]

Molina & JohnsonMolina & Johnson by Molina & Johnson

 

Consider the collective catalogs of these two prolific masters of the new American folk songcraft: Magnolia Electric Co., Centro-matic, Songs: Ohia, South San Gabriel. Now, let's just be honest. A little bit of artistic ego and one-upsmanship can serve a greater purpose. In this collaboration between Jason Molina and Will Johnson, each seem to hold the other's talents to the fire and elevate both performance and creativity. In the friendly sharing of ideas, Molina and Johnson become two poets' poets in a workshop to craft a singular, searing elegy.

 

Extended Vacation by On FillmoreExtended Vacation by On Fillmore

 

Once dubbed "the rhythm section's revenge" by Jim O'Rourke, On Fillmore is back with their most elaborate work, Extended Vacation. The duo is formed by bassist Darin Gray and percussionist Glenn Kotche, who were originally hand-picked by O'Rourke as the rhythm section for his album Eurekaand joined him on several tours and his next two albums. It was in 2000 during a gig at Scott Walker's Meltdown Festival in London while touring with O'Rourke that On Fillmore was conceptualized. Nearly a decade later, the band is stretching the very definition of "rhythm section."

 

Love Comes Close by Cold CaveLove Comes Close by Cold Cave

 

"Love Comes Close" is the debut full-length from Philly/New York quartet COLD CAVE. Following on singles on Hospital Productions, Whats Your Rupture?, and Dais, as well as a comp of early material, Matador is now reissuing the instantly sold-out self-released album from August 2009. The warm, rich synth pop sounds are laced with equal measures of romance and nihilism. Somewhere in these realms of negative hiss and out-of-body bliss, there is a peak awaiting all who enter.

Popularity: 20% [?]

Van Rissenhem: Indie Music Artist of the Week

Posted by Mike Wilson On November - 2 - 2009

Van Risseghem"If you feel you’ve been going through the motions, take your hands & just let go." 21 year old Tulsa native, Jonathan Van Risseghem sings on his full length release The Motions. The motion of his career has greatly accelerated recently, as he experiences a fast growing following.

 

Within 6 months of releasing The Motions, Van Risseghem has been regularily played on a variety of Westwood One and Clear Channel radio stations across the nation. Title track, "The Motions" has been added to frequent rotation in Delta Airlines national/worldwide in-flight radio and boarding entertainment as well as broadcast on 17,000+ (AMC and Cinemark and more) theatres as pre-movie entertainment. Van Risseghem's songs are also featured on the KNYZ104.5 compilation CD, the Hollywood Music In Media Awards Compilation CD, and voted for KHTT106.9 Listener's Choice.

 

Perhaps it's something about the excessively commercial nature of pop music these days that make people want to reach back in time. Or, maybe it is just the music itself – spirited, direct, colorful. Whatever it is, Van Risseghem taps that energy of yesterday’s music with it’s tones & rhythms, producing a rich-textured sound topped off with an engaging vocal delivery. He joins these solid arrangements with ear catching melodies in any chart topper of today’s music.

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Popularity: 28% [?]

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